The narrator in this short story is a woman with severe depression. She is being treated by her husband, a doctor, in a country house for “nervous prostration.” Her sister, Jennie, lives with them and works as their housekeeper.
The narrator becomes obsessed with the yellow wallpaper and is convinced that there is a woman behind it. The pattern resembles a stooping, creeping figure.
The narrator sees it as a nursery or a gymnasium
When the narrator moves into her husband’s country house, she finds that he has papered an old nursery with a hideous yellow wallpaper. She immediately hates the wallpaper, and she thinks that a woman from behind the pattern is creeping around in it by day and night. She tries to ignore the figure, but she cannot sleep and has to keep looking at the wallpaper. The narrator believes that the woman from the wallpaper represents her own suppressed mental illness.
The room evokes a sense of fear for the narrator, but she refuses to let it affect her well-being. She wants to entertain herself by imagining people walking in the garden, but she cannot get her mind off of the atrocious paper. Her husband says that it is her imagination, but she feels that he is treating her like a child. The narrator is becoming more and more demented as her family tries to cure her.
The narrator describes the fungus growing on it
She focuses on the wallpaper, complaining that it smells of decay and is covered in yellow smears. It seems to mutate in the light and has a pattern of toadstools and other strange things. She begins to see a figure in the pattern and believes that it is creeping over her. For more info I’ll suggest you visit the website wallpaper singapore.
She also notices that the torn wallpaper is growing a fungus. She tries to clean it with bleach but it comes back. She is convinced that it is poisoning her and tries to get John to help her.
Eventually, she becomes so fixated on the wallpaper that it starts to consume her life. She can barely function. She tries to avoid going outside by lying in bed all day and only going out at night. She also tries to hide her deteriorating mental state from her husband. This is further emphasized by the ripped wallpaper, teeth marks on the bedspread and metal rings around the windows.
The narrator describes the smell
Despite her efforts to ignore it, the narrator cannot stop thinking about the yellow wallpaper. This reflects her mental state, which is deteriorating. She is unable to concentrate on anything else, and she feels trapped in her room. The narrator also finds it difficult to sleep. As a result, she becomes obsessed with tracing patterns on the wallpaper. These patterns eventually take the form of bars that she sees as a cage. She also notices that the pattern is shaking, and she believes that a woman lives behind it.
Through the use of personification and simile, Gilman depicts how the narrator is being tortured by the wallpaper. She tries to rationalize her hallucinations, but they only make things worse. She thinks that there are many women behind the wallpaper, and she is convinced that they are stalking her. In a final attempt to free herself from the wallpaper, she peels it off the wall. By doing this, she hopes to free the women trapped inside and possibly herself.
The narrator describes the hallucinations
As the narrator loses touch with reality, her hallucinations about the yellow wallpaper become more dangerous. She imagines that the pattern is alive and tries to personify it by creating a woman behind the pattern. She also imagines that the previous occupants of the room left teeth marks on the bedposts and ripped off parts of the wallpaper.
Eventually, she begins to see the wallpaper as a cage that is preventing her from living fully. She notices that the patterns resemble toadstools and that they change color with different types of light. She even sees a figure that is stooping and crawling through the wallpaper.
The narrator’s hallucinations are meant to scare the reader, but it is important to remember that they are not real. They represent the narrator’s deteriorating mental state. The fact that she focuses on the wallpaper shows how much her freedom and sense of self are being eroded. The story highlights the oppressive nature of society in the nineteenth century.